JUNO-G Updates & Drivers. The sonically charged Juno-G workstation just got recharged with the introduction of Version 2.0 software, adding Fantom-series audio sampling functionality that you can use along-side all the other powerful Juno-G features. Version 2.0 software is a free download. The upgrade is easy to perform and in minutes, you’ll be sampling, chopping and sequencing your new sounds. Sample audio from external sources or import audio phrases from the Juno-G’s compact flash memory.

Samples can be assigned to trigger from the Juno-G’s function buttons. Up to twelve samples can be triggered from the Juno-G’s front panel. Velocity and note number can be assigned individually for each sample. Adjust Start, End and Loop points using the Juno-G’s front panel control knobs.

Includes advanced sampling editing such as Truncate, Normalize, Emphases, Sample Chop and Combine. Samples automatically BPM match in real-time to changes made to the tempo of your song.

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NOTE: The update files that you download and save to your computer from the link above are enclosed in a compressed zip file. These files will need to be extracted from the zip file before you can update your machine. You can do this by using the WinZip application on your PC running Windows XP, or by using Stuffit Expander on your Macintosh (needed for OS 10.2.x or below). If you’re using Mac OS X 10.3.x or above, then you will not need Stuffit Expander. You can get WinZip from the following link: You can get Stuffit Expander from the following link:.

IMPORTANT NOTICE: When the Windows SmartScreen is displayed upon installing the driver, please perform the following procedure: 1. Click More info 2. Click Run anyway. Skip Step 1 If your PC is not connected to the internet. This is the JUNO-G driver for Microsoft(R) Windows 7 64-bit Edition. This is the JUNO-G driver for Microsoft(R) Windows 7.

This is the Roland JUNO-G driver for Microsoft(R) Windows Vista(TM).To use this driver, you must set the USB Mode of the JUNO-G to 'MIDI.' . This is the driver for Mac OS X 10.6 (Snow Leopard). This is the driver for Mac OS X 10.5 (Leopard) and earlier. Owner's Manuals. Support Documents. This booklet provides a hands-on introduction to the JUNO-G workstation keyboard.

It’ll give you a tour of its main features, giving you a taste of what’s in store for you with the JUNO-G. In addition to being a killer stand-alone workstation, the JUNO-G fits seamlessly into a computer-based DAW (“Digital Audio Workstation”) recording environment. This booklet explains how to get things going between your JUNO-G and your Mac or PC. A collection of popular articles from the JUNO-G knowledge base. If you’re the kind of person who digs into your Roland/BOSS gear, odds are you go way beyond factory patches and settings. It’s for users like you that we include a computer-based Librarian application for backing up and organizing your data.

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This booklet explains the Roland/BOSS Librarian.

I'd doubt it was the MIDI latency that was the problem. I'm using a USB-MIDI cable and in my experience it's the audio output that causes the delay. If you don't have a good enough sound card, the latency can either be so high that it makes it unplayable (due to the delay between you hitting your trigger and hearing the sound), or so low that the software audio breaks up due to lack of processing power. I had this problem with a low-powered netbook I'm using in my kit.

The on-board sound card wasn't up to much, so I bought a cheap USB sound dongle thing which allows me to drop the latency to levels so low that it's imperceptible. I'm really happy using it to play software drum samples now! Within reason, yeah. I mean, performance plays a big part (CPU, RAM etc) but if you built a PC for gaming then it's likely going to be able to handle something like Addictive Drums. Try one of these: This is the one I bought but it's not the best quality. It certainly works though.

If you have more cash you could try a dedicated audio interface from M-Audio or Focusrite or Apogee or similar. The other thing to note is that the driver that plays the sound also matters. One of the best ones for low-latency is called ASIO and you'll need to make sure your Addictive Drums or whatever sampler you're using is outputting via this kind of low-latency driver. Sorry if it's a bit confusing but try reading up on it via Google, or maybe there's some tutorial type info at the vdrums.com forums.

You may have misunderstood me. What I'm saying is that the only data transmitted from the V-Drums to the software is MIDI, and of that, it's note value, velocity, and note start and stop. Anything additional added to the sound is done by the software. Superior Drummer, for instance, does a bang-up job of randomizing samples, so that even the same note at the same velocity repeated sounds less machinelike.

However, no data about the placement of the stroke on the head are transmitted. No data about the size and hardness of the stick tip are transmitted. No data about head manipulations that occur after the initial hit are transmitted. These data aren't necessarily quantized by the V-Drum head, but some of them are interpreted by the V-Drum brain. Software cannot interpret data it doesn't have. It can only attempt to fake it.

I don't think you are correct about positional data. My TD-20 sends that data to SD2.0 just fine.

Likewise, SD2.0 can tell if I've hit the bell of the ride with the shank or the tip. I'm not sure if that's midi, or software interpretation of position and velocity, however it does a fine job of interpreting it. My impression is that SD2.0 does a much better job of interpreting whatever midi data it does receive, and provides a much greater range of samples for the information that it does receive, providing a much more nuanced experience than the standard module. I'm not sure about the TD-30 range, but from what I've heard on Youtube, it still suffers from machine-gunning. If have to disagree - I think they sound fantastic. But it will depend on how recently you've Factory Reset your module (or the extent of playing about you've done with your settings) and also what you're listen in through (it was always good PA for me).

And of course, what you're looking for. Have a trawl through v-drums.com - I haven't been there for a while, but when I used to go there, there were a few members who shared their kits - I can't remember the usernames (svook may have been one), but if I do, I'll let you know. I hear where you're coming from - not being able to justify buying them all for a few.

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See if you can find a couple of fellow TD-8 owners to chip in (I used to have the libraries somewhere - if I could find them, I'd mail them to you - no question!) The reason I mentioned the factory reset - over time, it's easy to set settings and forget what you've done - you then load up patches and find that they're not great. Sometimes this can be down to global settings you've already made (which weren't in place when the patches were built). Headphones v PA - again, kits sound very different. You can set a kit up to sound great through headphones - and it can sound average trough PA - the reverse is true.

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One key component is the bass - reproduced very differently through headphones, and a PA (where you can physically feel it).